Wonder Vs Terror
So, recently my attention was drawn to this diagram floating around the internet that traces the history of science fiction. If you haven’t seen it, you should check it out. I agree with much if not all of its suggestions (it gets a bit muddy towards the end there, but that is to be expected) and, in particular, I am drawn to the two words that are crouching atop its very beginnings: Fear and Wonder. Since I like the word better, I’m going to talk about them as Wonder and Terror.
Speculative fiction of all types derive their power, chiefly, from those two basic human emotions. Interestingly, they both primarily relate to what could be and not what is. Wonder is being stunned by something new you had never imagined before and Terror is dreading the manifestation of the same thing. These emotions led to the creation of pantheons of Gods, endless cycles of mythology, sea monsters, HG Wells, Jules Verne, the drawings of DaVinci and so on and so forth. Wonder and Terror–what could be and what we hope won’t be.
These emotions are the engines of human progress. They have brought us from the bands of nomadic hominids staring up and a night sky and led us all the way to this–the Internet. The endless tales we have told one another throughout the aeons regarding what we wonder and live in terror of have inspired humanity to strive for change and avoid the many pitfalls our progress may afford us. Though we haven’t been successful in all our endeavors, we still try. We try because we can’t stop wondering and we can’t stop quailing in terror at our collective futures.
The balance of these forces change, as well, as time marches on. Our relationship with technology and progress–whether we live in awe of its possibilities or in fear of its consequences–is in constant flux, dependent not only on the power of the technology itself, but also upon the mood of the society itself. In the times of Jules Verne, for instance, science was the great gateway to a better world–the engines of technology would wipe away the injustices of man, clear up the cloudy corners of his ignorance, and lead him to a bright new tomorrow. That tomorrow wound up being the early 20th century, with its horrifying wars and human atrocities, and so we read the works of Orwell and Huxley and even HG Wells, who cautioned us against unguarded optimism and warned of the terrible things to come. The cycle was to be repeated again, with the optimism of the 1950s (Asimov, Clarke) giving way to the dark avenues of writers like Philip K Dick and even William Gibson.
Where do we stand now? I’m not sure; I’m inclined to say this is a dark age for speculative fiction. We look to the future with pessimism, not optimism. Our visions of apocalypse (zombie or otherwise) are numerous and bleak. With every era there are your bright lights of hope–the Federations of Planets and Cultures–that say that yes, one day humankind will rise to meet its imagined destiny with wonders of glorious power, but for every Player of Games there seems to be a World War Z or The Road. Perhaps I’m wrong.
This coming spring, if all works out (and it looks like it might), I will be exploring this idea in much greater detail in a class I’ll be teaching on Technology and Literature. I’ve been wanting to teach this elective for a long time, and I can’t wait to see what I can teach but, more importantly, to see what I’ll learn in the process.
Posted on October 7, 2011, in Critiques, Theories, and Random Thoughts and tagged Arthur C Clarke, Asimov, HG Wells, Iain M Banks, Philip K Dick, scifi, society, Star Trek, The Culture, William Gibson, zombie apocalypse. Bookmark the permalink. Leave a Comment.