The Magic of RPGs
Most role playing games involve some kind of magic, whether they actually call it that or not. If it’s a fantasy setting, you’ve got wizards wandering around; if it’s science fiction, you’ve got psychics; if it’s modern, you have eldritch rituals and witchcraft and some such. With rare exception, however, magic is seldom ‘magical’ in RPG settings. It might be interpreted as such by the inhabitants of that setting, but when the rules get slapped atop the sorcery, it rapidly becomes what I’d call ‘mundane’. It is rare that I’ve run across a magic system I’ve liked, including the ones I’ve created myself.
How Magic Usually Works
In most role-playing settings, magic give characters the ability to alter the environment for the purpose of destroying enemies, assisting friends, or acting as a toolbox by which the player can do things he otherwise couldn’t–climb cliffs, open/lock doors, clean his room, carry stuff, etc.. In this role, I usually fail to see how magic differs from, say, equipment. I’ve got a longbow and you can throw lightning bolts–what’s the difference, really? Well, usually it’s two things: (1) magic is more potent and (2) magic costs more. The lightning bolt really only differs from the longbow in the fact that it does more damage than the bow (in most cases) and it requires the character to pay some kind of price for its use, including things like being lousy in combat, taking some kind of drain on their person (aging, a headache, the chance they might catch on fire, etc.), or having some kind of limit on the number of times it can be used.
All in all this arrangement is fairly functional and easy to manage. The trope of the wizard who can throw giant fireballs but can’t defend himself in a wrestling match is well known, as is the ambitious sorcerer who calls down a little too much power and burns themselves up. My problem with it is that, all-in-all, it is fairly uninspiring stuff. I don’t really want magic to be equitable to equipment–I want it to be special, impressive, even frightning. Now, some systems try to achieve this to varying extents (Riddle of Steel is probably my favorite–
), and others don’t even bother (4th Ed D&D, for instance, has some of the most boring magic in existence, and it is literally indistinguishable from the abilities of other non-magical players). This is not to say magic isn’t fun (the only character I ever play these days in D&D is a wizard), but it really doesn’t capture what I want magic to capture.
What Magic Should Be
To my mind, magic should be unique, impressive, flexible, and dangerous. I want wizards to toss spells that do more than simple damage to their enemies–I want them to do things that make everybody else in the game go ‘whoaaa.’ I want wizards to have a few spells they use regularly (the simple stuff, like telekinesis and little bolts of energy or whatever), but also have access to spells that they only ever use once and that very well may be unique to themselves. I want the execution of those really impressive spells to have a huge cost for the wizard or the environment or the plot or something. In short, I want magic to be a Big Deal.
This goal, of course, raises a lot of problems in an RPG. The first, and the one most often groused about, is regarding ‘game balance.’ Now, first of all, I don’t really think game balance is all that important in an RPG, mostly because game balance is a concept best applied to competitive or adversarial games, like Risk or Warhammer or Baseball. Since an RPG isn’t adversarial or competitive, but rather collaborative, it shouldn’t really matter if one player is ‘better’ than another. Furthermore, if you’ve got a good GM who allows players to solve problems creatively and is able and willing to raise or lower the level of challenge to make sure the game remains interesting (and you’re using a system that allows such things–i.e. not D&D), then the comparative power levels of the PCs and NPCs doesn’t so much break the game as dictate tactics. Obviously you should not engage the superwizard in a wizard’s duel–you’ll die. Figure out a way around it, folks.
Related to the game balance issue, however, and something that is (to my mind) more important, is the fact that magic, if too powerful, kills the challenge inherent in a game. Players always want to do things easily and almost always want to avoid difficulties or risk whenever possible. Paradoxically, if this desire is indulged, the game becomes no fun. If I ever have to say ’congratulations, you infiltrated the Tower of Despair and escaped with the Crown of Doom without anyone noticing’, I have failed as a GM (that is unless, of course, the Tower of Despair isn’t the main objective of the mission but rather a sideshow that is best dispensed with quickly, but I digress…). Danger is essential to fun in an RPG. It comes in many forms, of course–not all danger is purely to life and limb–but it must be present. Something must be at stake, and there must be a very reall chance of losing it. Therefore, magic that is too powerful without there being some kind or price inherent in it can kill the game and, furthermore, granting players power that they will abuse for the purpose of eliminating challenge is counter-productive to a successful game. This kind of ’game-balance’ (not the intra-character kind) must be carefully managed. Again, a flexible GM can fix this often enough (by raising the level of difficulty on the fly), but all-powerful wizards can still derail this if magic isn’t properly managed.
So, with these things in mind, let me outline how the ideal system of magic should work, so far as I’m concerned:
If and when a wizard throws a curse at a person, that person should suffer for it. There is nothing I dislike more than a system where somebody gets hit with a giant lightning bolt and keeps going like nothing happened. Super lame. Combat spells should hurt, defensive spells should be potent, movement spells should do what they say they do. Shadowrun was always pretty good at this (
), as is Riddle of Steel. I, of course, like deadly games, so perhaps that’s just me.
Spells should be applicable in multiple situations or, barring that, wizards should have general knowledge of entire schools of sorcery so that they can execute spells that fulfill a variety of roles. If you can produce a telekinetic blast, I see no reason why you shouldn’t be able to produce a telekinetic hand to pick something up or to hold somebody in place. Talislanta is pretty good at this, as is Riddle of Steel (which is actually too flexible, but anyway).
Wizards should have sharp limits to their power in that they should either not know everything or not be good at certain things or have magic that possesses certain liabilities (like the need to carry around certain objects to do it, or need certain quantities of time, etc.). This is needed so that a wizard can still be challenged and, furthermore, so that the other players won’t feel useless. This is one area where Riddle of Steel falls a little short–those wizards can do just about anything, though they need a few seconds. Talislanta is marginally better, with all their various Schools of Sorcery having unique and particular limitations to their use.
Those who use magic should be wary, since it should exact a stiff toll on them if they overstep themselves. I want wizards to have the capacity to obliterate city blocks, but should be forced to balance that with whether or not it’s worth it. This effect needn’t always be physical. You don’t need to burn out you brain or age, for instance–you could instead simply owe progressively more of your soul to the underworld, or be forced to repay the favor the Gods did you in some fashion to be named later. In terms of price, Shadowrun is okay at this (wizards who overstep themselves routinely fall unconscious) and Riddle of Steel makes an effort (but who really cares about aging their character? How is that interesting?), but no system I’ve seen really nails this idea. Burning Wheel (
) leaves the possibility open in their Magic Burner, but don’t really explore it much.
Finally, magic should be really cool in its application and execution. I don’t really want it to function identically to other game mechanics–it needs something special. It must be at least partially apart from the other ways of doing things because that’s what it is–magic. I understand and appreciate the wish to streamline rules and gameplay–I really do–but I don’t wish it done at the cost of flavor, if you will. To this end, D&D falls flat, as does Talislanta. Riddle of Steel, Burning Wheel, and Shadowrun do it pretty well, but often at the cost of extremely clunky rules and confusing sets of new stats. I’d like to find a balance, if possible.
As those of you who know me can probably guess, I have been tinkering with an attempt to create my own ideal magic system for some time now. It is all going along with my revamp of the rule system I created for my own fantasy setting, Alandar (in which the story “The Martyr” is set, incidentally, along with a novel I’ve written and a huge quantity of background material). Perhaps someday, perhaps even on this very blog, I’ll debut it. It isn’t ready yet, though. Not yet. For now, I and all of us must make our way as best we can with the magic that we’re given, as pedestrian as it might seem.
Posted on September 2, 2011, in Critiques, Theories, and Random Thoughts and tagged Alandar, fantasy, game balance, Magic, PCs, players, Riddle of Steel, RPGs, Shadowrun, spells, Talislanta, wizards. Bookmark the permalink. 9 Comments.